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Matt Singer

Matt Singer is the managing editor and film critic of the website ScreenCrush.com. For five years, he was the on-air host of IFC News on the Independent Film Channel, hosting coverage of film festivals and red carpets around the world. He’s been a frequent contributor to the television shows CBS This Morning Saturday and Ebert Presents At the Movies, and his writing has also appeared in print and online at The Village Voice, The Dissolve, and Indiewire.
Ted 2
Universal

‘Ted 2’ Review: Hateful Teddy Bears Are People Too, Bro

It’s funny that the poster for Ted 2 features the title character with his back to the camera and his hands suggestively poised near his crotch above the tagline “Ted is coming, again” because the whole movie revolves around the fact that Ted can’t come, not even once. Ted doesn’t have any genitals or a reproductive system, so he can’t have a baby with his wife. His search for a sperm donor eventually spills into the legal system, where a court case will decide a surprisingly complex question: Is Ted a person?

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Category: Articles
Netflix Wet Hot American Summer Photos
Netflix

New Netflix Instant Releases: July 2015

July is almost upon us and it’s going to be a good month for Netflix users, as the streaming service is adding a whole slew of new movies and TV shows, including a bunch of exclusives. Cult comedy fans are eagerly awaiting the debut of the return of Wet Hot American Summer as a new series featuring the original cast, and standup fans will get a brand-new special from Rush Hour star Chris Tucker. Plus, there’s a whole slew of recent hits from television and cinemas (The Guest!). Read on for your guide to the new Netflix Instant releases arriving in July.

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Category: Articles
jurassic-park-review-pic

‘Jurassic World’ Review: The Park Is Open and Full of Dumb People

When all you care about is money, bad things happen. That’s the message of Jurassic World, where greedy theme-park executives hoping to spike attendance engineer the “Indominus Rex,” a genetically-modified dinosaur that immediately turns on its creators and runs amok. Designed as a cautionary tale about the dangers of building a meaner, badder monster purely for the sake of profits, Jurassic World works equally well as a cautionary tale about doing the same thing in movies. All of the rationalizations provided by Jurassic World’s employees — “Consumers want them bigger, louder, more teeth.” “Somebody’s gotta make sure this company has a future!” — could have been taken directly out of the mouths of the studio executives who approved this gene splice of a reboot and a sequel. Their creation — the Indominus or the movie, there’s basically no difference — is as advertised; huge, mean, and visually striking. But this experiment is not without consequences.

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Category: Articles
frozen-ride-disney-epcot-pic

‘Frozen Ever After’ Ride Coming to Disney’s Epcot Theme Park in 2016

You had to know that when Frozen became the seventh highest grossing movie in history (its $1.27 billion is more than Star Wars: Episode II - Attack of the Clones and Casino Royale combined) that Disney was going to turn it into a ride, if not a whole section of rides at one of (if not all of) their amusement parks. They’d already announced the plans for a Frozen attraction at Epcot, and today, via The Wall Street Journal, the revealed a lot of the details about it. It’s called Frozen Ever After and it opens next year.

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Category: Articles
Disney
Disney

‘Bridge of Spies’ Trailer: Tom Hanks and Steven Spielberg’s Cold War Thriller Looks Mighty Cool

When Tom Hanks and Steven Spielberg last made a war film, they produced Saving Private Ryan, which was nominated for 11 Academy Awards, and features what’s widely considered one of the greatest battle scenes ever captured on film. They’ve worked together since, including on Catch Me If You Can, one of the best movies of either man’s career, but Bridge of Spies might be considered a kind of spiritual sequel to Ryan. That was Hanks and Spielberg’s World War II picture. This is their Cold War one.

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Category: Articles
Spy Melissa McCarthy
20th Century Fox

‘Spy’ Review: An Empowering but Uneven Female Spy Spoof

Paul Feig’s The Heat took a genre that has traditionally belonged to men — the buddy cop movie — and gave it a female twist. Feig’s new movie, Spy, does much the same thing, this time for spy films, a world that has long been by, about, and for dudes and their power fantasies. Spy explicitly subverts the genre’s typical gender dynamics by casting Melissa McCarthy as a lowly, desk-bound CIA analyst named Susan Cooper, who has spent her entire career in the shadow of a glamorous James Bond-esque spy (Jude Law) and then finally gets her opportunity to step into the spotlight and become a full-fledged field agent.

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Category: Articles
Poltergeist
20th Century Fox

‘Poltergeist’ Review: A Decent Remake Haunted By the Spirit of the Original

Everything that goes wrong in Poltergeist stems from an act of desecration; the building of a cookie-cutter housing development on top of an old cemetery. Some might find the sheer act of attempting a remake of Poltergeist similarly disrespectful; the 1982 original is something of a masterpiece of suburban terror. But if viewers can look past the sheer audacity of attempting another Poltergeist, they’ll find a solid modernization, the cinematic equivalent of a decent cover version of a great rock song. It’s totally superfluous, and not nearly as satisfying as the original, but well-performed and effective in its own way. It’s nice (or, in this case, deeply unsettling) to revisit an old classic in a new arrangement.

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Category: Articles
sandler-letterman

Watch Adam Sandler Say Goodbye to David Letterman With a Hilarious and Touching Song

T-minus one week and counting until the very last Late Show with David Letterman and the tributes are coming faster and faster, and sadder and sadder. I hope on the last installment of Stupid Pet Tricks one of the tricks is a shih tzu shedding a single tear for the end of this venerable late-night franchise, which comes to a close on May 20. It’s only fitting.

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Category: Articles
Orange Is the New Black
Netflix

Prepare For Binging: A List of All the Netflix Originals Premiere Dates for 2015

Netflix has come a long way from those little red envelopes full of DVDs. Today the movies-by-mail rental company is a full-fledged movie and television studio with an impressive slate of original films, documentaries, mini-series, and cartoons. And they keep adding new content constantly; a week after Season 3 of the acclaimed series House of Cards, they unveiled Unbreakable Kimmy Schmidt from Tina Fey; two weeks later they debuted Bloodline starring Friday Night Lights’s Kyle Chandler.

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Category: Lists
Maggie Photos 4
Lotus Entertainment

‘Maggie’ Trailer: Get Ready For Schwarzenegger Versus Zombies

As one of the biggest Arnold Schwarzenegger nerds on the planet, I might be biased about this (okay I am definitely biased about this) but I think Maggie looks like one of the most interesting movies of the year. It’s a horror drama about a father trying to protect his daughter after she’s infected with some kind of zombie virus. The daughter is Abigail Breslin; the father is Schwarzenegger. Admittedly I don’t see (or hear) much of a family resemblance, but the themes this story touches on — parental responsibilities, broken families, an aging hero fighting against an increasing sense of irrelevance — jive perfectly with the stuff Schwarzenegger continues to explore throughout the latter half of his career.

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Category: Articles
Cinderella review
Walt Disney Pictures

‘Cinderella’ Review: This Old Fairy Tale Still Has Some Magic

The name “Disney” brings to mind images of fair princesses, charming princes, magical fairy tales, and simple happily ever afters. In recent years, though, Disney has begun rethinking their classic properties, and releasing more thematically complex versions of their famous films. Sleeping Beauty became Maleficent, which turned a wicked witch into a sympathetic anti-hero; a whole mess of fairy tales turned into Into the Woods, where happily ever after preceded a whole bunch of death and tragedy. The ranks of Disney Princesses grew to include women like Merida, the bow-slinging heroine of Brave, and Anna and Else from Frozen, who rescued each other from an prince, rather than the other way around. Every value and concept that Disney had established and reinforced through decades of repetition was seemingly up for reconsideration and revision.

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Category: Articles

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